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“Pray the Devil Back to Hell”
A Review By Ron Steinman

 


Now and then, a film comes along about an event and a time that in the past I managed to ignore or, more simply put, found had no place in my life. “Pray the Devil Back to Hell” is a feature documentary about a woman’s movement in Liberia that brought down a tyrant. Directed by Gini Reticker, watching this film helped correct my failure to observe and understand more about Africa, a continent that I have had difficulty thinking of or caring about. Today, with the continuing tragedy in Darfur, the mess in Sudan, the charged ethnic situation in Kenya, and the potential for serious bloodshed in Zimbabwe, it is difficult to ignore the frequent troubles that beset that huge landmass, a place truly distant for many people.

This film tells the story of how a group of ordinary women in Liberia changed the way the country was run. Through peaceful demonstrations, they helped rid the country of President Charles Taylor, a ruthless, murderous warlord who became its elected president, and then ruled as a dictator. Fed up with a many-sided civil war, other warlords running freely everywhere in the country, child soldiers fueled by drugs and alcohol, and tired of living a life of desperation under a cruel despot, Leymah Gbowee, a Liberian woman “invited ordinary mothers, grandmothers, aunts and daughters . . . to start the Christian Women’s Peace Initiative.” Her idea was to get thousands of other Christian churchwomen to come forward to pray for peace. To her surprise an early supporter was Asatu Bah Kenneth, a Muslim woman who also wanted peace and said, “Does the bullet know Christian from Muslim?” Then, with the women united, and wearing traditional white dresses, the movement started to take off. Soon the women donned white T-shirts with the group’s name emblazoned on the front. They held meetings, organized demonstrations and sat-in at the sides of roads and in front of parliament, all to the consternation of President Charles Taylor and the many factions fighting each other whom they reproached equally for the part each was playing in Liberia’s endless civil war.

Filmed well after the events, the interviews are sharp and crisp. The women sparkle with intelligence, passion and wit. The production team worked with a treasure trove of quality archival footage from many international sources that were shot at the time by news organizations that were paying attention to the events in Liberia. And in Ghana, because it was there that the women finally succeeded beyond all expectations. They journeyed to Ghana to be present at peace talks between Liberia’s warring factions. The women took up their usual positions and sat-in around the building where the talks were being held. When the negotiating parties could not come to an agreement, the women surrounded the building and did not allow any of the men inside to come out until they had made a deal. When the various factions came to an agreement, the women lifted their barricade. It was possibly their finest hour.

The director and editor forged a seamless montage as they wisely wove the footage to create the right emotional atmosphere for the story. I felt I was there with the women as they worked tirelessly to change their country. Because of the intelligent editing, the story moves at a sharp, yet orderly pace. My attention never flagged.

Liberia now has a woman president -- Ellen Johnson-Sirleaf, the first female to be elected president for any country in Africa, itself a notable achievement. There has been no war for a year and half, better than anyone could have hoped for considering how ugly was the fighting. Guns are mostly off the streets and reconciliation with the former soldiers and the retraining of many of the boy soldiers is taking place. That is all to the good. However, I wanted to see more of the results of what the women accomplished in their own lives. I wanted to learn how these extraordinary women who led this revolution are faring today. Did their efforts trickle down to daily life, especially theirs, and, of course, anyone else living in Liberia? It would have been a fitting end to the film in what will surely be a long and continuing story.

I leave you with this thought from Leymah Gbowee, the spiritual leader and the organizer of the women’s revolt. It is fitting and empowering. At the end of the film, she says, “If things ever go back, we will be back.” Her statement puts the new government on notice and leaves little doubt she will do just that to preserve the extraordinary accomplishment of the Christian Women’s Peace Initiative that helped topple a dictator.


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At NBC News for 35 years, Ron Steinman was bureau chief in Saigon, Hong Kong and London, was a senior producer on Today and wrote and produced for Sunday Today. At ABC News Productions, he produced and wrote documentaries for A&E, TLC, Discovery, Lifetime and the History Channel. He has a Peabody, a National Headliner award, a National Press Club award, a International Documentary Festival Gold Camera Award, two American Women in Radio & Television awards and has been nominated for five Emmy's. He is a partner in Douglas/Steinman Productions, whose latest documentary, "Luboml: My Heart Remembers," aired on PBS' WLIW/21 and the History Channel in Israel, April 29, 2003. He is the author of, "The Soldiers 'Story", "Women in Vietnam," and most recently, "Inside Television's First War: A Saigon  Journal," University of Missouri Press, 2002.

 

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